She’s an alumna of TheOpEdProject, VONA/Voices of Our Nations, and poetry workshops at the Community of Writers at Squaw Valley. Her poems have been nominated for the Pushcart Prize, Meridian’s Best New Poets, and Best of the Net Anthology. Her work has appeared in Crab Orchard Review, Panorama: The Journal of Intelligent Travel, Rattle, The Atlanta Review, The North American Review, and Tin House, among others.
Based on traumatic events from the author’s life, the book explores what it means to be a woman of color in contemporary America, where state-sanctioned terrorism and institutionalized racism are still very much alive.įinishing Line Press released two chapbooks of Laskar’s poetry in 2017: Gas & Food, No Lodging and Anastasia Maps. Laskar’sĭebut novel, The Atlas of Reds and Blues, was published by Counterpoint in February 2019. To return the Laskar family’s belongings. In October 2016 by a Superior Court Judge in Atlanta. Malicious prosecution stemming from the 2010 case, which was dismissed in its entirety District CourtĪgainst four former or current administrators at Georgia Institute of Technology for Update: On the first of October 2018, Dr. It helps me to move on, to be present in the world and see the beauty of life around me. I can’t stop because it’s the thing that allows me to forgive the people who played politics with our lives. I can’t stop doing the one thing that sustains me. Now I’m more than halfway through my seventh year of #artaday. I completed a second year of the art challenge, and a third, and a fourth. The act of making the art was a laser point of focus as I sold our house, packed up our things, said goodbye to my friends and our families, and moved across the country. The work evolved from amateur to something I am proud of: I’ve tried out different media, from acrylic to water colors to pencil, and I’ve taken photographs of pretty much everything I see around me as I travel or walk-or after my kid’s soccer practice. My poetry came in handy as I had the pleasure of titling the art I submitted every day. I spent a few minutes each day doing something that kept me at the margins of the art I had once created with words. Picture by picture, week by week, I was building myself up again. I could cheat on the drawings and paintings by substituting photographs for them, as long as I took the photographs within that day. The condition I imposed on myself: something new every day. So in June 2011 I began my own art-a-day challenge. I marveled at the artist’s courage to post her work online, her dedication to her art and I loved Julie Powell’s challenge to make every recipe in Julia Childs’ book in a single year. Two things happened that precipitated my visual art: some friends told me about an artist who had painted a picture every day for a year and posted it publicly and then others insisted I rent Julie & Julia. Much of that was also stored on my computer and is lost now, too. I’ve always been a shutterbug of sorts, too, informally chronicling events and vistas, my family, things I find interesting or unusual. Journalism, for a long time, helped me hone my eye and my ear, really see and listen to other people’s stories and to understand their life struggles. I’d been writing since I was a child, poems and stories, creating characters and histories and futures. It is different when the choice is no longer yours, when something is taken from you by force. However, it’s one thing to throw out your own words, to remove them with the pink eraser at the end of a pencil, to delete them from a computer screen using a cursor.
What does it mean for a poet to live with the literal loss of her words? In the big scheme of things, they are just words and I can always write more. A Georgia state judge dismissed the baseless charges against my husband in October 2016.*īut my belongings have not been returned. Nearly nine years since Georgia state police raided my house at gunpoint and confiscated, among other things, my laptop computer. Artworks are reproduced here with artist’s permission from her Facebook Photograph: Another brick in the wall (11 February 2015)
Untitled photograph of stones (11 October 2015)Ĭopyright © by Devi S.
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